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​MIXED REALITY AND EXHIBITION MEDIUM IN CONTEMPORARY ART: INSITU<>INFLUX

AUTHOR: Giovanna Graziosi Casimiro
ADVISOR: Nara Cristina Santos

This research in the field of theory and history of contemporary art, study
configuration modes of Mixed Reality in the exhibition place and the consolidation of Exhibition Medium, structured by technological dynamics. Aims to discuss the cycle of relations among public<>artwork<>mediums presented as an explanation that how the elements of the Exhibition Medium works, and it‟s result is the dynamic insitu<>influx. The interactive artworks ARART and Extinction, the exhibition WeARinMoMA, the Krakow National Museum, the Museum of London and the project Talking Statues, contribute to think the specific conditions of an interactive Exhibition Medium, which dynamic create a constant transitions of power and sensibility. Emerging from the context of Art and Technology, applications of Mixed Reality are analyzed in institutional places, whose examples help to classify and understand how the space unfolds through many realities and the constant
transition between the virtual and the physical dimension.

Keywords: Mixed Reality. Exhibition Medium. Exhibition Place. Art and
Technology. Contemporary Art.
​
___________________________________________________________________________

REALIDADE MISTA E MEIO EXPOSITIVO NA ARTE CONTEMPORÂNEA:
INSITU<>INFLUXU

AUTORA: Giovanna Graziosi Casimiro
ORIENTADORA: Nara Cristina Santos

Esta pesquisa, no campo da teoria e história da arte contemporânea, estuda modos de configuração da Realidade Mista no espaço de exposição e a consolidação do Meio Expositivo. As propostas dos termos “ciclo de relações público<>obra<>meio” (explica o modo como os elementos do Meio Expositivo se relacionam) e “dinâmica insitu<>influxu” abrem uma discussão pontual sobre o espaço artístico como meio interativo. A partir do contexto em Arte e Tecnologia, são analisados exemplos de aplicação de Realidade Mista em espaços institucionais, que apontam a pertinência
das concepções apontadas. São analisadas as obras de arte ARART e Extinção, os museus MoMA, Museu Nacional da Cracóvia e Museu de Londres, e o projeto Talking Statues, desenvolvido na zona urbana de Londres. Os exemplos permitem compreender a maneira como o espaço se desdobra através de muitas realidades e também a permeabilidade entre o mundo virtual e o físico.
​
Palavras-chave: Realidade Mista. Meio Expositivo. Espaço Expositivo. Arte e
Tecnologia. Arte Contemporânea.
Realidade Mista e Meio Expositivo
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Mixed Reality and Exhibition Mediums
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  • Projects
    • Hanji: Unfolding Memories
    • Battle of Svensksund
    • Virtual Rovaniemi
    • Kinnarps Desktop Showroom
    • Finland Hall
    • Battle of Svensksund
    • ARLines at Vienna - Welt Kompakt?
    • ARLines at MIT
    • Vesala AR app
    • ARLines at CVAF 2019
    • Holographic Experimentation Device - MAC São Paulo
    • BOO - Animation Demo
    • Data Mapping
    • Tapio Showroom
    • Kultur Kontakt AR exhibition
    • YouTopia
    • MetaCity in Vienna
    • ARlines at Boston
    • Black Madonna
    • Virtual Amos Rex
    • Crossed Lines
    • Dividing Lines
    • Dance Museum
    • Interaffective Swings
    • Genelec Web Showroom
    • Look Again
    • Finnair Xmas Virtual Flight
    • Yle Tokyo Olympics 3D Assets
    • Fortum Fennovoima VR
    • Lonkero Virtual Concert
    • Hartwall Jafa Filter
    • Heureka VR
    • MASP.ETC.BR
    • Accenture 3D VR Assets
    • Yotto Virtual Concert
    • MAM São Paulo Immersive Mural
    • Memory of Amnesia
    • Museum of the Others
    • Helsinki Biennial 2020
    • Neon Festival
    • Panobike and Mobilke
    • Fortum CGL
  • About
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    • The Open Source Heritage
  • Lecturer and Education
    • AR and games for education
    • AR grafitti at School - Vienna
    • Basement Go!
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    • Relocating Grafitties
    • Senac AR activities
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    • Augmented SoundScapes
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